Misery Loves Company

SOUTHERN GOTHIC

Flannery O'Conner and Carson McCullars,  whose one-time home I lived in for a while, are big influences. I used to ask "Why am I a FREAK MAGNET?" The answer is found somewhere in Southern Gothic

MISERY LOVES COMPANY

Deborah Wilbrink

Misery Loves Company (Southern Lit) is about a trip down South...through Southern Literature. More about that...

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Misery Loves Company

(Southern Lit)

 by Deborah Wilbrink c. 2013 (BMI)

I headed South to renew my roots, dressed in shorts and cowgirl boots     

But all I found was Misery; and Misery, she loves company.                         

“Look-a here sister, drag up a chair…”                                                                                   

But the porch she set on was naked and bare                                                           

Squatted on the steps, pulled on the bottle                                                  

And out poured tales, wailing full throttle                                                     

As I Lay Dying, Their Eyes Were Watching God

To Kill a Mockingbird, In Cold, Wise Blood

President’s Daughter, All the King’s Men

You Can’t Go Home Again, Massa’ Huckleberry Finn

 

Streetcar Named Desire down Tobacco Road

Confederate Dead can’t hear Tate’s Ode

Everything That Rises, Gone With the Wind

Awakening, to a Clock without Hands

It took so long to hear that my heart went numb

Stuck fingers in my ears; played deaf and dumb

Thanked Miz Misery; started my way home

North to Music City where the story-singers come

 

I headed South to renew my roots, dressed in shorts and cowgirl boots     

But all I found was Misery; and Misery, she loves company.                         

Paid my visit to Miz Misery; Southern Lit keeping us company

Misery Loves Company

ALLUSIONS

I'm a fan of Southern Gothic literature, with its strange but true characters. In the late 90s, I lived in the house where Carson McCullers once lived.  Book titles in Misery Loves Company include one of hers, Clock Without Hands:

VERSE 1
As I Lay Dying – William Faulkner, 1930
Their Eyes Were Watching God – Zora Neale Hurston, 1937
To Kill a Mockingbird – Harper Lee, 1960
In Cold Blood – Truman Capote, 1966
Wise Blood – Flannery O’Conner, 1952
Clotel: or the President’s Daughter – William Wells Brown, 1853
All the King’s Men – Robert Penn Warren, 1946
You Can’t Go Home Again – Thomas Wolfe, 1940
Huckleberry Finn – Mark Twain (S. L. Clemens), 1885

VERSE 2
Streetcar Named Desire – Tennessee Williams, 1947
Tobacco Road- Erskine Caldwell, 1932
Ode to the Confederate Dead – Allen Tate, 1928
Everything That Rises Must Converge – Flannery O’Conner, 1965
Gone With the Wind – Margaret Mitchell, 1936
Awakening – Kate Chopin, 1899 
Clock without Hands – Carson McCullers, 1961

 

Southern Gothic literature is a genre of Southern writing. The stories often focus on grotesque themes. While it may include supernatural elements, it mainly focuses on damaged, even delusional, characters.” - Wilson, Roark, and Katie Surber. Southern Gothic Literature

Southern Gothic Literature | Definition, Writers & Style

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